Saturday, April 17, 2010

The Church of Lalibela
























"The town of Lalibela was originally known as Roha. It was renamed after the 12th-century King Lalibela, who commissioned these extraordinary churches. Lalibela was a member of the Zagwe dynasty, which had seized the Ethiopian throne around 1000 AD.
When his rivals began to increase in power, Lalibela sought the support of the powerful Ethiopian Orthodox Church by building the churches in this small town.
King Lalibela's goal was to create a New Jerusalem for those who could not make a pilgrimage to the Holy Land (and to create a sacred city to rival powerful Axum, with its Ark of the Covenant). According to some reports, he had been to the Holy Land himself and was inspired by what he saw. But the king made no attempt to copy the churches of the Holy Land; in fact, Lalibela's sacred architecture could not be more unique.
The churches of Lalibela were not constructed — they were excavated. Each church was created by first carving out a wide trench on all four sides of the rock, then painstakingly chiseling out the interior. The largest church is 40 feet high, and the labor required to complete such a task with only hammers and chisels is astounding.
Popular legend has it that angels came every night to pick up where the workmen had left off. One of the churches, Bet Maryam, contains a stone pillar on which King Lalibela wrote the secrets of the buildings' construction. It is covered with old cloths and only the priests may look on it.
King Lalibela's project for gaining the church's favor had two unexpected results: the creation of a holy place of unparalleled beauty and the king's conversion to a religious life. After laboring for 20 years, he abdicated his throne to become a hermit, living in a cave and eating only roots and vegetables. To this day, Ethiopian Christians regard King Lalibela as one of their greatest saints.
The churches have been in continuous use since they were built in the 12th century. The first Europeans to see these extraordinary holy sites were Portugese explorers in the 1520s"



























Ethiopian Obelisk

According to sacred destinations dating from around 300-500 AD, most the Axum stelae seem to predate the arrival of Christianity to Ethiopia. Their purpose is almost certainly religious, but the details are not known for certain.

The stelae were most likely funeral monuments for Axum's ancient rulers, who may have been buried in tombs beneath them. Some have altars at the base with grooves cut into them to carry away blood from sacrifices.

Christianity was adopted by the royal family in Axum in the 4th century AD, and by the population at large in the 5th century, which means these stelae date from a fascinating period of religious change. Monolithic monuments continued to be erected after the arrival of Christianity, and several with Christian inscriptions can be found.

The second largest of the stelae was looted by Mussolini's troops in 1937 during his occupation of Ethiopia, and stood for decades in the Piazza di Porta Capenamin in Rome, near the Arch of Constantine.

The 160-ton monument was finally returned from Italy to Axum in April 2005. It was shipped in an extra-large plane in three separate pieces, at the cost of €6 million (almost $8 million). The transportation company who carried out the task said it was the largest and heaviest structure ever transported.

http://www.sacred-destinations.com/ethiopia/axum-stelae

Sunday, April 11, 2010

Ethiopian Sisters

This image really defined Ethiopian women. What i am



trying say is if you see on the paingting it explen every



thing bout ethiopian women, for example how they briad



their hair, how they weer cloth, and how look like their



necklless on the neck and so on. I think this painting it i

ncludes the elements of art because it has colors, shapes,

emotion, and so on.



The artist name is Ana Tzarev.



Oil on Linen


SIZE:
h: 100 x w: 81 cm / h: 39.4 x w: 31.9 in



Work Date on 2003

http:// http://%20www.artnet.com/.../ethiopian-sisters.html














Ethiopian Madona

"This painting is based on a photograph by Paul

Jeffrey representing Action by Churches

Together and was painted with his permission. It

depicts a young Ethiopian refugee comforting her

hungry child".

As you see a image it is very emotional paiting for

us becuase it remind us so many thing on the

past and now specail for Ethiopian how live in out side of Ethiopian. Also this image has massage

for Africa refugee because it remind us our roots.

Oil 18 x 24

http://images.google.com/imgres?imgurl=http://www.corneliusstudio.com/mediac/400_0/media/Ethiopian%2420Madona%2420adj.jpg&imgrefurl=http://www.corneliusstudio.com/10264.html&usg=__cdn6B67txU7WYLXsBxptuLCup5M=&h=296&w=400&sz=77&hl=en&start=36&sig2=mmVLsJlaUTS7OiFg3uwG8Q&um=1&itbs=1&tbnid=p9nuRVKGBNEeyM:&tbnh=92&tbnw=124&prev=/images%3Fq%3Dethiopian%2Bartwork%26start%3D18%26um%3D1%26hl%3Den%26sa%3DN%26ndsp%3D18%26tbs%3Disch:1&ei=v9zBS6SNIoL4tgPA3o3eAw

Friday, April 9, 2010

Protecting the Flag

"Gebre Kristos paintings are remarkable not only for their

technical and formal achievements but also for their symbolic

power and psychological insight. He observed and

commented upon the political strife (trouble) of Ethiopias in a

symbolically expressionsistic way. His works can sometimes

be very sophisticated (difficult) for the general viewer, but

even as such, they are a feast for the eyes, and are easier to

digest and enjoy than some for the more complicated,

dostorted, and awkward compositions of other articsts of his

generation".

This painting has many meanings spicaily for ethiopian. The paintor name is Gebre Kirstos Desta. His is Ethiopian artist.

http://www.ethiopianart.org/articles/index.php